Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/98123
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dc.contributorDepartment of English and Communicationen_US
dc.contributorDepartment of Civil and Environmental Engineeringen_US
dc.creatorCheung, JOen_US
dc.creatorFeng, Den_US
dc.date.accessioned2023-04-12T08:28:06Z-
dc.date.available2023-04-12T08:28:06Z-
dc.identifier.issn1035-0330en_US
dc.identifier.urihttp://hdl.handle.net/10397/98123-
dc.language.isoenen_US
dc.publisherRoutledge, Taylor & Francis Groupen_US
dc.rights© 2019 Informa UK Limited, trading as Taylor & Francis Groupen_US
dc.rightsThis is an Accepted Manuscript of an article published by Taylor & Francis in Social Semiotics on 04 Apr 2019 (published online), available at: http://www.tandfonline.com/10.1080/10350330.2019.1601337.en_US
dc.subjectAppraisal systemen_US
dc.subjectAttitudeen_US
dc.subjectCorpusen_US
dc.subjectHeavy metal songsen_US
dc.subjectIdentityen_US
dc.subjectLyricsen_US
dc.titleAttitudinal meaning and social struggle in heavy metal song lyrics : a corpus-based analysisen_US
dc.typeJournal/Magazine Articleen_US
dc.identifier.spage230en_US
dc.identifier.epage247en_US
dc.identifier.volume31en_US
dc.identifier.issue2en_US
dc.identifier.doi10.1080/10350330.2019.1601337en_US
dcterms.abstractHeavy metal as a music culture has immense social influence across the world. In recent years scholars have started to scrutinise metal music from a sociocultural perspective; yet many studies lack quantifiable supporting evidence. For a thorough understanding of band members’ self-constructed identity, this paper analyses a corpus of lyrics from 1,152 heavy metal songs. It identifies 11 lexical words which have a significantly higher frequency in metal lyrics than in popular lyrics, and a total of 1,386 concordances of the 11 words are analysed using the attitude system (Martin and White, 2005. The Language of Evaluation: Appraisal in English. New York, NY: Palgrave Macmillan.). Analysis shows that heavy metal lyrics are characterised by insecurity, loneliness, sadness and desire in terms of affect, by fearlessness, freedom, and condemnation of social injustice in terms of judgement, and by the representation of unpleasant or even disgusting objects, and the valuation of death as solutions in terms of appreciation. We further argue that these attitudes are reactions to various types of social oppression, such as marginalisation by mainstream ideologies and religions, and are discursive strategies to resist and counter the oppression. At the same time, the attitudes build a distinctive heavy metal identity to reinforce in-group solidarity and to promote the music culture through catharsis.en_US
dcterms.accessRightsopen accessen_US
dcterms.bibliographicCitationSocial semiotics, 2021, v. 31, no. 2, p. 230-247en_US
dcterms.isPartOfSocial semioticsen_US
dcterms.issued2021-
dc.identifier.scopus2-s2.0-85064010734-
dc.description.validate202304 bcwwen_US
dc.description.oaAccepted Manuscripten_US
dc.identifier.FolderNumberENGL-0113-
dc.description.fundingSourceSelf-fundeden_US
dc.description.pubStatusPublisheden_US
dc.identifier.OPUS22824541-
dc.description.oaCategoryGreen (AAM)en_US
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