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| Title: | A study on the performance tradition and evolution of Zhong Kui drama in the Qing court theatre | Other Title: | 驱祟、赐福与嫁妹: 论清宫钟馗戏的演出传统与变迁 | Authors: | Hu, G | Issue Date: | 2020 | Source: | 文化遗产 (Cultural heritage), 2020, v. 2020, no. 2, p. 65-73 | Abstract: | 作为亦人亦鬼亦神的人物,钟馗形象在清代宫廷戏曲中有着丰富的体现。大戏《劝善金科》与除夕承应《殿庭驱祟》的钟馗继承了岁暮驱鬼的传统,却以"温和"的形象呈现,作祟嬉戏的乐器消解了年终驱傩的严肃。元旦承应的《膺受多福》《万福攸同》,多达百名的钟馗只是福德星君命下"迎福""集福""锡福"的舞者,功能性的仪式再现与新正朝贺、君臣同欢的现实相呼应。清宫"嫁妹"戏曲并存昆曲折子戏《钟馗嫁妹》与除夕承应《南山归妹》,后者是宫廷剧作家模仿昆曲《思凡》而新创的钟妹戏曲,出嫁的喜庆热闹既迎合了除夕节令,也弥补了大众对钟馗小妹的想像。 | Publisher: | 中山大学 | Journal: | 文化遗产 (Cultural heritage) | ISSN: | 1674-0890 | Rights: | © 2020 中国学术期刊电子杂志出版社。本内容的使用仅限于教育、科研之目的。 © 2020 China Academic Journal Electronic Publishing House. It is to be used strictly for educational and research purposes. |
| Appears in Collections: | Journal/Magazine Article |
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| Hu_Performance_Tradition_Evolution.pdf | 305.92 kB | Adobe PDF | View/Open |
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