Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/4394
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dc.contributorDepartment of Chinese and Bilingual Studies-
dc.creatorNgai, SBC-
dc.date.accessioned2014-12-11T08:28:03Z-
dc.date.available2014-12-11T08:28:03Z-
dc.identifier.issn1002-8927-
dc.identifier.urihttp://hdl.handle.net/10397/4394-
dc.language.isozhen_US
dc.publisher中國學術期刊(光盤版)電子雜誌社en_US
dc.rights© 2010 中国学术期刊电子杂志出版社。本内容的使用仅限于教育、科研之目的。en_US
dc.rights© 2010 China Academic Journal Electronic Publishing House. It is to be used strictly for educational and research purposes.en_US
dc.subjectChinese opera -- Ming dynasty, 1368-1644en_US
dc.subjectFeng, Meng-lungen_US
dc.subjectChinese literature -- Adaptationsen_US
dc.subjectChinese opera -- Compositionen_US
dc.title从汤沈之争看冯梦龙的戏曲改编en_US
dc.typeJournal/Magazine Articleen_US
dc.description.otherinformationTitle in Traditional Chinese: 從湯沈之爭看溤夢龍的戲曲改編en_US
dc.description.otherinformationRunning title of the journal: 中国戏曲学院学报 = Journal of National Academy of Chinese Theatre Artsen_US
dc.description.otherinformationRunning title of the journal in Traditional Chinese: 中國戲曲學院學報en_US
dc.description.otherinformationJournal title in Traditional Chinese: 戲曲藝術en_US
dc.identifier.spage50-
dc.identifier.epage54-
dc.identifier.volume31-
dc.identifier.issue4-
dcterms.abstract明代是文人传奇的黄金年代,惟明中叶却出现了过于追求语言典雅、轻视音律的文人传奇作家,因而掀起了正音律,改编剧本的风气,成就了戏曲史上著名的汤沈之争,争论之余也启发了著名的改编作家—冯梦龙,建立了一套兼重内容与演出的戏曲改编理论,其改编作品更是对后来的戏曲搬演构想深远的影响。本文旨在重塑汤沈之争的发端、发展,揭示争论对冯梦龙的启迪,并从改编本的序、评窥探其戏曲改编理论。-
dcterms.accessRightsopen accessen_US
dcterms.bibliographicCitation戲曲藝術, 2010, v. 31, no. 4, p. 50-54-
dcterms.isPartOf戲曲藝術-
dcterms.issued2010-11-
dc.identifier.rosgroupidr54728-
dc.description.ros2010-2011 > Academic research: refereed > Publication in refereed journal-
dc.description.oaVersion of Recorden_US
dc.identifier.FolderNumberOA_IR/PIRAen_US
dc.description.pubStatusPublisheden_US
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