Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/117273
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dc.contributorSchool of Designen_US
dc.creatorQin, Zen_US
dc.creatorNg, Sen_US
dc.creatorSong, Yen_US
dc.date.accessioned2026-02-09T07:26:31Z-
dc.date.available2026-02-09T07:26:31Z-
dc.identifier.issn0276-2374en_US
dc.identifier.urihttp://hdl.handle.net/10397/117273-
dc.language.isoenen_US
dc.publisherSage Publications, Inc.en_US
dc.rightsThis is the accepted version of the publication Qin, Z., Ng, S., & Song, Y. (2024). Shades of Grey: Quantifying a Database of 18 Aesthetic Moods in Classical Chinese Poetry. Empirical Studies of the Arts, 43(2), 1181-1213. Copyright © 2024 The Author(s). DOI: 10.1177/02762374241305561.en_US
dc.subjectMood typologyen_US
dc.subjectMood-focused artsen_US
dc.subjectNatural language processing (NLP)en_US
dc.subjectPoetic moodsen_US
dc.subjectPoetry databaseen_US
dc.titleShades of grey : quantifying a database of 18 aesthetic moods in classical Chinese poetryen_US
dc.typeJournal/Magazine Articleen_US
dc.identifier.spage1181en_US
dc.identifier.epage1213en_US
dc.identifier.volume43en_US
dc.identifier.issue2en_US
dc.identifier.doi10.1177/02762374241305561en_US
dcterms.abstractUnderstanding aesthetic moods in classical Chinese poetry is essential for decoding Chinese aesthetics and can significantly benefit culturally and aesthetically inspired creative fields. However, research on how these aesthetic moods are perceived and deconstructed is limited. To address this gap, this study quantitatively identified 18 distinctive aesthetic mood clusters in classical Chinese poetry by empirical methods including natural language processing (NLP). These clusters were paired with relevant tools: mood-eliciting images, the circular valence-arousal model, and diary episodes associated with specific poems. The outcomes were developed into a website that serves as a practical database, visualizing the granularity of aesthetic moods expressed in classical Chinese poetry and relevant elements for mood-focused research and practice.en_US
dcterms.accessRightsopen accessen_US
dcterms.bibliographicCitationEmpirical studies of the arts, July 2025, v. 43, no. 2, p. 1181-1213en_US
dcterms.isPartOfEmpirical studies of the artsen_US
dcterms.issued2025-07-
dc.identifier.scopus2-s2.0-85213566163-
dc.identifier.eissn1541-4493en_US
dc.description.validate202602 bcchen_US
dc.description.oaAccepted Manuscripten_US
dc.identifier.SubFormIDG000673/2025-11-
dc.description.fundingSourceSelf-fundeden_US
dc.description.fundingTextThe authors disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This research was funded by Philosophy and Social Science Planning Project of Anhui Province [AHSKQ2020D144].en_US
dc.description.pubStatusPublisheden_US
dc.description.oaCategoryGreen (AAM)en_US
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