Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/109595
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dc.contributorDepartment of Rehabilitation Sciences-
dc.creatorKan, MMP-
dc.creatorDibben, N-
dc.creatorWong, AYL-
dc.date.accessioned2024-11-08T06:09:58Z-
dc.date.available2024-11-08T06:09:58Z-
dc.identifier.issn0305-7356-
dc.identifier.urihttp://hdl.handle.net/10397/109595-
dc.language.isoenen_US
dc.publisherSage Publications Ltd.en_US
dc.rights© The Author(s) 2023en_US
dc.rightsThis article is distributed under the terms of the Creative Commons Attribution 4.0 License (https://creativecommons.org/licenses/by/4.0/) which permits any use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access page (https://us.sagepub.com/en-us/nam/open-access-at-sage).en_US
dc.rightsThe following publication Kan, M. M., Dibben, N., & Wong, A. Y. (2024). A cognitive intervention to correct a maladaptive technique in organists due to prior music learning: A randomized controlled trial. Psychology of Music, 52(1), 22-37 is available at https://doi.org/10.1177/03057356231159194.en_US
dc.subjectCognitive interventionen_US
dc.subjectOrganistsen_US
dc.subjectPianistsen_US
dc.subjectSurface electromyography (sEMG)en_US
dc.subjectTransfer of learningen_US
dc.titleA cognitive intervention to correct a maladaptive technique in organists due to prior music learning : a randomized controlled trialen_US
dc.typeJournal/Magazine Articleen_US
dc.identifier.spage22-
dc.identifier.epage37-
dc.identifier.volume52-
dc.identifier.issue1-
dc.identifier.doi10.1177/03057356231159194-
dcterms.abstractOrganists who start as skilled pianists may later maladapt their keyboard technique to play the organ. This randomized controlled study investigated the feasibility of using an audio cognitive intervention to correct organists’ playing technique. Forty participants played a music excerpt with two dynamics (soft/loud) on two musical instruments (organ/piano) at baseline, while their corresponding forearm muscle activities were measured by surface electromyography (sEMG). They also rated their playing force. Participants were then randomized to receive either a 5-min audio cognitive intervention (learning to use self-talk phrases “organists—stops/ expression pedals—minimal force” to reduce their tension in playing the organ; n = 21) or a control audio recording (instructing them to rest for 5 min; n = 19). All participants then repeated the two dynamics on the two musical instruments. The intervention group displayed significantly lower forearm sEMG muscle activity during organ playing, whereas the controls’ playing was unchanged. Our study shows that organists use unnecessary muscle tension to produce dynamics and that our intervention was effective and could improve motor control in playing the organ. Self-talk is therefore a viable way for music educators to help learners correct habitual but maladaptive techniques arising from prior learning.-
dcterms.accessRightsopen accessen_US
dcterms.bibliographicCitationPsychology of music, Jan. 2024, v. 52, no. 1, p. 22-37-
dcterms.isPartOfPsychology of music-
dcterms.issued2024-01-
dc.identifier.scopus2-s2.0-85162949019-
dc.identifier.eissn1741-3087-
dc.description.validate202411 bcch-
dc.description.oaVersion of Recorden_US
dc.identifier.FolderNumberOA_Scopus/WOSen_US
dc.description.fundingSourceSelf-fundeden_US
dc.description.pubStatusPublisheden_US
dc.description.oaCategoryCCen_US
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