Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/109587
PIRA download icon_1.1View/Download Full Text
DC FieldValueLanguage
dc.contributorDepartment of Chinese and Bilingual Studies-
dc.creatorWan, M-
dc.creatorZhong, Y-
dc.creatorGao, X-
dc.creatorLee, YM-
dc.creatorHuang, C-
dc.date.accessioned2024-11-08T06:09:54Z-
dc.date.available2024-11-08T06:09:54Z-
dc.identifier.urihttp://hdl.handle.net/10397/109587-
dc.language.isoenen_US
dc.publisherInstitute of Electrical and Electronics Engineersen_US
dc.rights© 2023 The Authors. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For more information, see https://creativecommons.org/licenses/by-nc-nd/4.0/en_US
dc.rightsThe following publication M. Wan, Y. Zhong, X. Gao, Y. M. Lee and C. -R. Huang, "Fake News, Real Emotions: Emotion Analysis of COVID-19 Infodemic in Weibo," in IEEE Transactions on Affective Computing, vol. 15, no. 3, pp. 815-827, July-Sept. 2024 is available at https://doi.org/10.1109/TAFFC.2023.3295806.en_US
dc.subjectCOVID-19en_US
dc.subjectEmotionen_US
dc.subjectFake newsen_US
dc.subjectGain-versus-loss framingen_US
dc.subjectInfodemicen_US
dc.subjectWeiboen_US
dc.titleFake news, real emotions : emotion analysis of COVID-19 infodemic in Weiboen_US
dc.typeJournal/Magazine Articleen_US
dc.identifier.spage815-
dc.identifier.epage827-
dc.identifier.volume15-
dc.identifier.issue3-
dc.identifier.doi10.1109/TAFFC.2023.3295806-
dcterms.abstractThe proliferation of COVID-19 fake news on social media poses a severe threat to the health information ecosystem. We show that affective computing can make significant contributions to combat this infodemic. Given that fake news is often presented with emotional appeals, we propose a new perspective on the role of emotion in the attitudes, perceptions, and behaviors of the dissemination of information. We study emotions in conjunction with fake news, and explore different aspects of their interaction. To process both emotion and ‘falsehood’ based on the same set of data, we auto-tag emotions on existing COVID-19 fake news datasets following an established emotion taxonomy. More specifically, based on the distribution of seven basic emotions (e.g., Happiness, Like, Fear, Sadness, Surprise, Disgust, Anger ), we find across domains and styles that COVID-19 fake news is dominated by emotions of Fear (e.g., of coronavirus), and Disgust (e.g., of social conflicts). In addition, the framing of fake news in terms of gain-versus-loss reveals a close correlation between emotions, perceptions, and collective human reactions. Our analysis confirms the significant role of emotion Fear in the spreading of the fake news, especially when contextualized in the loss frame. Our study points to a future direction of incorporating emotion footprints in models of automatic fake news detection, and establishes an affective computing approach to information quality in general and fake news detection in particular.-
dcterms.accessRightsopen accessen_US
dcterms.bibliographicCitationIEEE transactions on affective computing, July-Sept 2024, v. 15, no. 3, p. 815-827-
dcterms.isPartOfIEEE transactions on affective computing-
dcterms.issued2024-07-
dc.identifier.scopus2-s2.0-85165280044-
dc.identifier.eissn1949-3045-
dc.description.validate202411 bcch-
dc.description.oaVersion of Recorden_US
dc.identifier.FolderNumberOA_Scopus/WOSen_US
dc.description.fundingSourceRGCen_US
dc.description.fundingSourceOthersen_US
dc.description.fundingTextHong Kong Polytechnic Universityen_US
dc.description.pubStatusPublisheden_US
dc.description.oaCategoryCCen_US
Appears in Collections:Journal/Magazine Article
Files in This Item:
File Description SizeFormat 
Wan_Fake_News_Real.pdf1.55 MBAdobe PDFView/Open
Open Access Information
Status open access
File Version Version of Record
Access
View full-text via PolyU eLinks SFX Query
Show simple item record

Page views

4
Citations as of Nov 24, 2024

Downloads

7
Citations as of Nov 24, 2024

Google ScholarTM

Check

Altmetric


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.