Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/102719
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dc.contributorInstitute of Textiles and Clothing-
dc.creatorChoi, SYen_US
dc.creatorLee, Men_US
dc.date.accessioned2023-11-14T01:15:11Z-
dc.date.available2023-11-14T01:15:11Z-
dc.identifier.issn1754-3266en_US
dc.identifier.urihttp://hdl.handle.net/10397/102719-
dc.language.isoenen_US
dc.publisherTaylor & Francisen_US
dc.rights© The Textile Institute and Informa UK Ltd 2021en_US
dc.rightsThis is an Accepted Manuscript of an article published by Taylor & Francis in International Journal of Fashion Design, Technology and Education on 24 March 2021 (Published online), available at http://www.tandfonline.com/10.1080/17543266.2021.1903086.en_US
dc.subjectMen’s suiten_US
dc.subjectNon-traditional patternen_US
dc.subjectTraditional patternen_US
dc.subjectTrend analysisen_US
dc.titleAnalysis of trends on fabric patterns in contemporary men’s suitsen_US
dc.typeJournal/Magazine Articleen_US
dc.identifier.spage173en_US
dc.identifier.epage184en_US
dc.identifier.volume14en_US
dc.identifier.issue2en_US
dc.identifier.doi10.1080/17543266.2021.1903086en_US
dcterms.abstractAs the number of men who value individual tastes and styles increases, a systematic analysis of patterns, an eye-catching design element, needs to be performed in men’s suits. A total of 2,288 men’s patterned suit images were collected over 12 seasons from 2015 to 2020 from Vogue. Each pattern was classified according to their motif sources and reclassified into traditional and non-traditional to examine the trend. Cross-analysis and X 2 test were performed to analyse the differences according to the season. As a result, the traditional patterns showed a strong presence in the fall season, and non-traditional patterns were found more in the spring season. There were significant differences between traditional and non-traditional patterns by season and types. Besides, examining the use of patterns by brand, those that frequently use traditional patterns were Tom Ford, Ralph Lauren, Dunhill, Versace, and Giorgio Armani in order.-
dcterms.accessRightsopen accessen_US
dcterms.bibliographicCitationInternational journal of fashion design, technology and education, 2021, v. 14, no. 2, p. 173-184en_US
dcterms.isPartOfInternational journal of fashion design, technology and educationen_US
dcterms.issued2021-
dc.identifier.scopus2-s2.0-85103034373-
dc.identifier.eissn1754-3274en_US
dc.description.validate202208 bcfc-
dc.description.oaAccepted Manuscripten_US
dc.identifier.FolderNumberITC-0086-
dc.description.fundingSourceSelf-fundeden_US
dc.description.pubStatusPublisheden_US
dc.identifier.OPUS51582666-
dc.description.oaCategoryGreen (AAM)en_US
Appears in Collections:Journal/Magazine Article
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