Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/92486
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dc.contributorSchool of Designen_US
dc.creatorKwok, BSHen_US
dc.date.accessioned2022-04-07T06:32:33Z-
dc.date.available2022-04-07T06:32:33Z-
dc.identifier.issn0952-4649en_US
dc.identifier.urihttp://hdl.handle.net/10397/92486-
dc.language.isoenen_US
dc.publisherOxford University Pressen_US
dc.rights© The Author(s) 2021. Published by Oxford University Press on behalf of The Design History Society. All rights reserved.en_US
dc.rightsThis is a pre-copyedited, author-produced version of an article accepted for publication in Journal of Design History following peer review. The version of record Brian Sze-Hang Kwok, Vernacular Design: A History of Hong Kong Neon Signs, Journal of Design History, Volume 34, Issue 4, December 2021, Pages 349–366 is available online at: https://doi.org/10.1093/jdh/epab017.en_US
dc.subjectNeon signen_US
dc.subjectGraphic designen_US
dc.subjectVernacularen_US
dc.subjectCrafts historyen_US
dc.subjectEasten_US
dc.subjectWesten_US
dc.subjectHong Kongen_US
dc.titleVernacular design : a history of Hong Kong neon signsen_US
dc.typeJournal/Magazine Articleen_US
dc.identifier.spage349en_US
dc.identifier.epage366en_US
dc.identifier.volume34en_US
dc.identifier.issue4en_US
dc.identifier.doi10.1093/jdh/epab017en_US
dcterms.abstractNeon signs dominated Hong Kong's urban landscape from the 1950s to the early 2000s. This visual vernacular, however, has begun to vanish from Hong Kong’s streets over the past decade due to stricter regulations and the emergence of cheaper alternatives. As a result, scholars, the media and the general public have become more engaged in recording and preserving neon signs, and have begun to recognize them as an aspect of Hong Kong's vernacular design. This engagement serves as an entry point for investigating the application of western views of vernacular design to Hong Kong, using neon signs as a case study. A collection of 218 original neon sign designs was donated by the Nam Wah Neonlight & Electrical Factory to the Information Design Lab at Hong Kong Polytechnic University. Using these original designs and photos of neon signs taken in different districts in Hong Kong, this article provides historical and socio-cultural perspectives with which to examine vernacular design, to identify other attributes that should be taken into account, such as aesthetics, bottom-up participation, architecture and the urban environment. The article aims to contribute to the study of vernacular design and the design history of neon signs.en_US
dcterms.accessRightsopen accessen_US
dcterms.bibliographicCitationJournal of design history, Dec. 2021, v. 34, no. 4, p. 349-366en_US
dcterms.isPartOfJournal of design historyen_US
dcterms.issued2021-12-
dc.identifier.eissn1741-7279en_US
dc.description.validate202204 bcfcen_US
dc.description.oaAccepted Manuscripten_US
dc.identifier.FolderNumberRGC-B1-072-
dc.description.fundingSourceRGCen_US
dc.description.pubStatusPublisheden_US
dc.description.oaCategoryGreen (AAM)en_US
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