Please use this identifier to cite or link to this item:
http://hdl.handle.net/10397/88407
DC Field | Value | Language |
---|---|---|
dc.contributor | School of Design | en_US |
dc.creator | Ng, S | en_US |
dc.date.accessioned | 2020-11-03T09:00:59Z | - |
dc.date.available | 2020-11-03T09:00:59Z | - |
dc.identifier.issn | 2589-7098 | en_US |
dc.identifier.uri | http://hdl.handle.net/10397/88407 | - |
dc.language.iso | en | en_US |
dc.publisher | Jap Sam Books | en_US |
dc.rights | Cubic Journalis a peer-reviewed, open-access journal. All journal content, except where otherwisenoted, is licensed under the Creative Commons Attribution 4.0 International License (CC BY 4.0) (https://creativecommons.org/licenses/by/4.0/). Work may be copied, shared, and distributed when authors are properly accredited; this includes outlines of any work. Amendments to the original work needs to be shown. The licensor does not in any way endorse third party views or how journal content is used by others. | en_US |
dc.rights | The following publication Ng, S. (2019). Cultural Appropriation, Design, and Gender in Calendar Posters in China (1912-1949). Cubic Journal, (2), 68-75 is available at https://dx.doi.org/10.31182/cubic.2019.2.018 | en_US |
dc.subject | Design | en_US |
dc.subject | Modern woman | en_US |
dc.subject | Poster | en_US |
dc.subject | Advertisement | en_US |
dc.subject | Consumerism | en_US |
dc.title | Cultural appropriation, design, and gender in calendar posters in China (1912-1949) | en_US |
dc.type | Journal/Magazine Article | en_US |
dc.identifier.spage | 68 | en_US |
dc.identifier.epage | 75 | en_US |
dc.identifier.issue | 2 | en_US |
dc.identifier.doi | 10.31182/cubic.2019.2.018 | en_US |
dcterms.abstract | This three image-essay looks at how depictions of modern woman were central in advertising designs and imported products in the context of gender, identity, and design in early twentieth-century China. The adaptation of Euro-American concepts, linked to modernisation in local contexts resulted in both the production of hybrid poster designs to promote merchandise, they embody gender fluid design. This essay uses three specific images to situate objects, image and context, before highlighting specific elements contained wihtin each as examples of mid-century gender narratives. | en_US |
dcterms.accessRights | open access | en_US |
dcterms.bibliographicCitation | Cubic journal, 1 Aug. 2018, no. 2, p. 68-75 | en_US |
dcterms.isPartOf | Cubic journal | en_US |
dcterms.issued | 2018-08-01 | - |
dc.identifier.eissn | 2589-7101 | en_US |
dc.description.validate | 202011 bcrc | en_US |
dc.description.oa | Version of Record | en_US |
dc.identifier.FolderNumber | a0499-n01 | en_US |
dc.description.pubStatus | Published | en_US |
Appears in Collections: | Journal/Magazine Article |
Files in This Item:
File | Description | Size | Format | |
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Cubic_2019_2_018_Ng.pdf | 670.99 kB | Adobe PDF | View/Open |
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