Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/87754
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dc.contributorDepartment of Chinese and Bilingual Studies-
dc.creatorChen, Sen_US
dc.creatorZhu, YQen_US
dc.creatorWayland, Ren_US
dc.creatorYang, YKen_US
dc.date.accessioned2020-08-19T06:26:42Z-
dc.date.available2020-08-19T06:26:42Z-
dc.identifier.urihttp://hdl.handle.net/10397/87754-
dc.language.isoenen_US
dc.publisherPublic Library of Scienceen_US
dc.rights© 2020 Chen et al. This is an open access article distributed under the terms of the Creative Commons Attribution License (https://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.-
dc.rightsThe following publication Chen S, Zhu Y, Wayland R, Yang Y (2020) How musical experience affects tone perception efficiency by musicians of tonal and non-tonal speakers? PLoS ONE 15(5): e0232514 is available at https://dx.doi.org/10.1371/journal.pone.0232514-
dc.titleHow musical experience affects tone perception efficiency by musicians of tonal and non-tonal speakers?en_US
dc.typeJournal/Magazine Articleen_US
dc.identifier.spage1en_US
dc.identifier.epage32en_US
dc.identifier.volume15en_US
dc.identifier.issue5en_US
dc.identifier.doi10.1371/journal.pone.0232514en_US
dcterms.abstractPurpose: To investigate if, regardless of language Background: (tonal or non-tonal), musicians may show stronger CP than non-musicians; To examine if native speakers of English (English or non-tonal musicians henceforth) or Mandarin Chinese (Mandarin or tonal musicians henceforth) can better accommodate multiple functions of the same acoustic cue and if musicians' sensitivity to pitch of lexical tones comes at the cost of slower processing.-
dcterms.abstractMethod: English and Mandarin Musicians and non-musicians performed a categorical identification and a discrimination task on rising and falling continua of fundamental frequency on two vowels with 9 duration values.-
dcterms.abstractResults: Non-tonal musicians exhibited significantly stronger categorical perception of pitch contour than non-tonal non-musicians. However, tonal musicians did not consistently perceive the two types of pitch directions more categorically than tonal non-musicians. Both tonal and non-tonal musicians also benefited more from increasing stimulus duration in processing pitch changes than non-musicians and they generally require less time for pitch processing. Musicians were also more sensitive to intrinsic F0 in pitch perception and differences of pitch types.-
dcterms.abstractConclusion: The effect of musical training strengthens categorical perception more consistently in non-tonal speakers than tonal speakers. Overall, musicians benefit more from increased stimulus duration, due perhaps to their greater sensitivity to temporal information, thus allowing them to be better at forming a more robust auditory representation and matching sounds to internalized memory templates. Musicians also attended more to acoustic details such as intrinsic F0 and pitch types in pitch processing, and yet, overall, their categorization of pitch was not compromised by traces of these acoustic details from their auditory short-term working memory. These findings may lead to a better understanding of pitch perception deficits in special populations, particularly among individuals diagnosed with autism spectrum disorder (ASD).-
dcterms.accessRightsopen access-
dcterms.bibliographicCitationPLoS one, 2020, v. 15, no. 5, e0232514, p. 1-32en_US
dcterms.isPartOfPLoS oneen_US
dcterms.issued2020-
dc.identifier.isiWOS:000537468300015-
dc.identifier.scopus2-s2.0-85084315014-
dc.identifier.pmid32384088-
dc.identifier.eissn1932-6203en_US
dc.identifier.artne0232514en_US
dc.description.validate202008 bcrc-
dc.description.oaVersion of Record-
dc.identifier.FolderNumberOA_Scopus/WOS, a1597-
dc.identifier.SubFormID45565-
dc.description.fundingSourceRGC-
dc.description.pubStatusPublished-
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