Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/74250
DC FieldValueLanguage
dc.contributorSchool of Design-
dc.creatorBlevis, E-
dc.date.accessioned2018-03-29T07:16:27Z-
dc.date.available2018-03-29T07:16:27Z-
dc.identifier.isbn9781450344036-
dc.identifier.urihttp://hdl.handle.net/10397/74250-
dc.language.isoenen_US
dc.publisherAssociation for Computing Machinaryen_US
dc.subjectDesignen_US
dc.subjectInteraction designen_US
dc.subjectPhotography and HCIen_US
dc.subjectPhotography in HCIen_US
dc.subjectPictorialsen_US
dc.subjectPolitics and cognitionen_US
dc.titleQualities of focusen_US
dc.typeConference Paperen_US
dc.identifier.spage309-
dc.identifier.epage322-
dc.identifier.doi10.1145/3059454.3059485-
dcterms.abstractThe genre of this pictorial is photographs as primary content. All of the images are deliberately and extremely out of focus, creating a puzzle for the viewer. The implications of this work are considered in terms of the images themselves, boundaries and balance in pictorials, politics and cognition, and technology. Qualities of focus in images-from everywhere in focus to selective to everywhere out of focus-are discussed as a technique and material quality of interaction design.-
dcterms.bibliographicCitationC and C 2017 - Proceedings of the 2017 ACM SIGCHI Conference on Creativity and Cognition, 2017, p. 309-322-
dcterms.issued2017-
dc.identifier.scopus2-s2.0-85025638040-
dc.relation.conferenceACM SIGCHI Conference on Creativity and Cognition-
dc.description.validate201802 bcrc-
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