Please use this identifier to cite or link to this item: http://hdl.handle.net/10397/68365
Title: Abandoned negatives, Themeless Parks : images of contemporary China in two photographic projects
Authors: Pan, L 
Keywords: Photography
Chinese visual culture
Contemporary China
End of history
Hong Kong art
Chinese urban space
Issue Date: 2017
Publisher: Routledge, Taylor & Francis Group
Source: Journal for cultural research, 2017, v. 21, no. 1, p. 33-50 How to cite?
Journal: Journal for cultural research 
Abstract: This article juxtaposes two photographic projects to illustrate ways of perceiving everyday space in contemporary China: on the one hand, Silvermine Project' (2009-2013), by French collector and editor Thomas Sauvin, recycles a vast collection of abandoned film negatives from the 1980s to the early 2000s, and subsequently curates' these amateur images into the frame of a quasi-ethnographic approach. On the other hand, Hong Kong photographer Dustin Shum's Themeless Parks' (2008) presents a series images of public parks in Chinese cities and towns. The two projects propose different readings of the postsocialist' condition in contemporary China. While the domestic shots curated by Sauvin actively mobilise individual and national identities in private and public spaces, Shum's compositions of shape, colour and architectural density reveal a highly orchestrated China' that pre-empts the emergence of an individual identity. This paper analyses the textual articulations of individuality, space, and temporality in the two projects.
URI: http://hdl.handle.net/10397/68365
ISSN: 1479-7585
EISSN: 1740-1666
DOI: 10.1080/14797585.2017.1282222
Appears in Collections:Journal/Magazine Article

Access
View full-text via PolyU eLinks SFX Query
Show full item record

Page view(s)

92
Checked on Aug 21, 2017

Google ScholarTM

Check

Altmetric



Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.