Please use this identifier to cite or link to this item:
http://hdl.handle.net/10397/40169
| DC Field | Value | Language |
|---|---|---|
| dc.contributor | Department of Chinese and Bilingual Studies | - |
| dc.creator | Ngai, SBC | - |
| dc.date.accessioned | 2016-05-17T10:09:18Z | - |
| dc.date.available | 2016-05-17T10:09:18Z | - |
| dc.identifier.issn | 1672-8610 | - |
| dc.identifier.uri | http://hdl.handle.net/10397/40169 | - |
| dc.language.iso | zh | en_US |
| dc.publisher | 语文学刊编辑部 | en_US |
| dc.rights | © 2011 China Academic Journal Electronic Publishing House. It is to be used strictly for educational and research use. | en_US |
| dc.rights | © 2011 中国学术期刊电子杂志出版社。本内容的使用仅限于教育、科研之目的。 | en_US |
| dc.title | 明清女性剧作家的覺醒——论《全福记》的女性意识 | en_US |
| dc.type | Journal/Magazine Article | en_US |
| dc.identifier.spage | 48 | - |
| dc.identifier.epage | 50 | - |
| dc.identifier.issue | 8 | - |
| dcterms.abstract | 概览我国戏曲史的发展,女性剧作家的产量及存量虽然不多,但她们却是戏曲版图上不可缺少的一块,而其中又以明清两代的女性剧作家最为活跃,她们的作品不仅见证了时代的变迁、社会的转变、观念的改变,更体现了女性意识的觉醒。本文旨在通过分析明清女性剧作家中的佼佼者—王筠的《全福记》,窥探清代女性剧作家如何通过戏曲创作展露女性意识,并藉此探讨女性意识的抬头与当时社会、观念改变的关系。 | - |
| dcterms.accessRights | open access | en_US |
| dcterms.bibliographicCitation | 语文学刊 (Journal of Chinese), 2011, no. 8, p. 48-50 | - |
| dcterms.isPartOf | 语文学刊 (Journal of Chinese) | - |
| dcterms.issued | 2011 | - |
| dc.identifier.rosgroupid | r55398 | - |
| dc.description.ros | 2010-2011 > Academic research: refereed > Publication in refereed journal | - |
| dc.description.oa | Version of Record | en_US |
| dc.identifier.FolderNumber | OA_IR/PIRA | en_US |
| dc.description.pubStatus | Published | en_US |
| Appears in Collections: | Journal/Magazine Article | |
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| File | Description | Size | Format | |
|---|---|---|---|---|
| r55398.pdf | 137.49 kB | Adobe PDF | View/Open |
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